A Fabulous Musical Street

Alice: I remember when I came to Naples eighteen years ago. It was a dark and rainy January and I would walk the historical centre, making friends with the people I’d meet at the shops and bars I spent time in to keep warm. One of the friends I made was working in a CD store on via Sebastiano I had stumbled upon because I was too shy to visit the stores, although I was fascinated by their instruments, especially their mandolins. He introduced me to local musicians like Pino Daniele, Nuova Compagnia di Canto Popolare, Almamegretta and 99 Posse. Along the street named after the once-present San Sebastiano Monastery and with its proximity to the Music Conservatory which has been visited by Rossini, Alessando Scarlatti, Bellini and Donizetti (among others), it is still the home to the biggest concentration of music instruments and equipment in Naples.

Fiorella: You are right! It is always nice to walk by the Conservatory and hear the musicians and singers practising.
Neapolitans are never tired of visiting this fabulous place.
The Royal Conservatory of San Sebastiano was established  in 1807 by King Giuseppe Bonaparte. In 1826 it was named Royal Conservatory of Music of San Pietro a Majella. It originated by fusing together three conservatories founded in the 16th century in the churches of Santa Maria di Loreto, Sant’Onofrio in Capuana and Pietà dei Turchini. The aim of the three institutions was to rescue children from the streets of Naples by housing them and educating them through music.
The conservatory and the adjacent church are part of the 14th century monastery of San Pietro a Majella, built at the end of the 13th century and dedicated to Pietro Angeleri, who became Pope as Celestine V in 1294.

The church is also a must-see! The transept is decorated with valuable frescoes dating from the 14th century, baroque marble inlays and a cycle of paintings by Mattia Preti, amongst the others. The fabulous 17 th century cloister with palm and banana trees and a monument to Beethoven by Francesco Jerace, leads to a second cloister and to the Conservatory.
The Conservatory library houses important manuscripts of the numerous composers  who lived and worked in Naples.

Alice: Also Neapolitan-by-adoption like me love to walk down the narrow, tree-lined street and hear notes from guitars, violins and mandolins waft in and out of the doors of the stores. Music lovers will truly appreciate this corner of Neapolitan history. Don’t be shy like I was initially!We visited Giuseppe Miletti store as well as others the other day to buy a speaker and a mixer for upcoming concerts. Two hours and an impromptu concert later, we walked out smiling and in appreciation of Manuela’s patience for all the models she happily let us try!

When you leave via San Sebastiano, turn left at Spaccanapoli to check out the artisan street vendors and street musicians performing for the throngs of people walking by. If you’re looking for something to please your sweet tooth, there is Gay Odin which has some of the best chocolate and gelato in town.
In the late 19 th c. Isidoro Odin, a young chocolatier from Alba, come to Naples, one of the most important and populated European capitals. Naples was a melting pot where artists, aristocrats, scholars and food-lovers from all over Europe spent their time in the already colorful and busy streets of the city. The first classy and wonderfully smelling factory was opened in Chiaia, the area where it is still today. Isidoro worked day and night to create delicious new delicacies and surprise the Neapolitan fine palates. Gay Odin chocolate was and is still today considered one of the best in town. All phases of production are handmade, from chocolate roasting to packaging. Packaging is still the original from paper with vintage images to fabulous boxes representing Naples’ vedutas and guaches. One of the reasons why it is in the registry of Italy’s historical places.
Fiorella: Hungry for something more substantial? Try out the pizza at historical Pizzeria Lombardi.
Pizzeria Lombardi a Santa Chiara is a 5 th generation pizzeria, decorated with majolica tiles inspired from the next door cloister of Santa Chiara. The first pizzaiolo in the family started in 1892 in his bare basso (street level home) in vico Limoncello where calzoni with ricotta and maybe cicoli or simply tomato sauce were coming out from a frying pan and sold for few liras to the neighbours. Four generations have made pizzas every day in the historical center.
A coffee is also mandatory in 70s original style Settebello bar, a bohemian spot where whoever desire to play the piano is welcome…be advised though that the owner, Pino, is an expert in classical music. Also, his fabulous nephew is a musician who studies music and plays piano between serving one espresso after another. Intellectuals, street artists, old professors, street vendors and students are all sitting at the tables of this welcoming corner, where table service is not charged.

 

RIA ROSA: A FABULOUS NEAPOLITAN CHARACTER

Fiorella: Alice I know that you are a big fan of varietà theatre and that you also studied all of the theatres of Naples. Haven’t you also done researches on cafè chantant which inspired your performances? It is a world which isn’t that well known as an important facet of the life and culture of Naples.
You, an American in Naples, you made me fall in love with my compatriot Ria Rosa!
Alice: It is seriously a joy to share with those reading a little about the biography of a woman so revolutionary and ironic!
Historically, Naples is a city of  theatre, music and film: it has the oldest Opera House in Europe which was opened here in 1737. Did you know that Enrico Caruso was from Naples?
More recently Pino Daniele, beloved in all of Italy composed blues songs in Neapolitan dialect. You cannot forget about the actors such as Vittorio De Sica, Totò, Sofia Loren among others who are etched in the fabric of this dramatic city.
Many say that Naples is a stage. You hear the notes it in the voices of those selling fish in the morning, in the calls of the lemon granita vendors on Via Dei Tribunali, on the street corners with buskers playing music from all over the world, in the piazzas full of performances of every type and the way people tell a story to their best friend over coffee.
A few years ago I had an opportunity to spend a summer researching women in theatre and music during Naples heyday at the Fondo De Mura in Castel Nuovo (Maschio Angioino).
The Belle Epoque with the Festival of Piedigrotta, Salone Margherita and a pervasive culture of performance produced exceptional writers, actors, dancers and musicians but there was one woman who I came across, Ria Rosa (Maria Rosaria Liberti), who changed the
face of the traditional Neapolitan song. I had to put her song “Preferisco il ‘900” (I prefere the 20th century) in my show which she wrote in Neapolitan the early 30’s in New York.
New York is the city where she settled after doing a tour there in her early 20’s:
My boyfriend is not modern, he prefers the 19 th century. Instead, I like the 20 th century
Every day I get so angry!
This girdle needs to be loosened, it is such a waste of time
Lipstick, cigarettes, men’s trousers… he doesn’t want to see any of it, he would rather die!
Instead, I want to do all of those things just to spite him
I want to smoke, I want to wear lipstick on my lips!  What’s wrong with that?
I want to go walking in the sand of Coroglio Beach, I love the smell of the beach there!

Coroglio Beach     

Il mio fidanzato non é moderno, gli piace l’Ottocento, a me invece piace il Novecento e tutti i giorni mi devo intossicare (arrabbiare).
Il corpetto va allacciato, questo spreco non mi piace. Il rossetto, la sigaretta, i pantaloni alla maschietto… non vuole vedere nulla di questo. Che lo possano ammazzare!
E io invece per dispetto lo voglio fare. Voglio fumare e il rosso sulle labbra voglio vedere! Che male c’è?
Sulla spiaggia di Coroglio mene vado a passeggiare. Sulla sabbia, sugli scogli ma che odore che ci sta.
She went to New York and never looked back. In a world dominated by male composers, agents and producers, she was one of the only women to write and perform her own songs. In contrast to the other songs of immigration, love and family being performed by others who had left the home country, she chose not to adhere to the traditional themes of that time and penned lyrics with social and political importance.
One of the best things about her music is that she never lost the roots of her native Napoli. Not only are the songs in the Neapolitan dialect, they are full of details about the streets, the people and the landscape of the city. Fabulous!
Today when I perform the song, charged with irony and humor but the honesty of having to fight for the freedom of expression, I try to think of all of the courage it took to leave her country and blaze a path for other female performs to come after her.
When Igo to Coroglio beach, a place where music echoes on the water all night at the clubs dotting the coastline, I think of Ria Rosa in New York, imagining herself in trousers, walking unaccompanied in the sand, cigarette in hand and the reddest of lipstick on her.