The Fabulous Prince of Laughter

In this time of great challenges due to the outbreak of coronavirus disease, we of Naples Fabulous wanted to share a post about an extraordinary person who will hopefully bring some lightness to your days. We’ve been trying to keep our spirits high through reading, music, films and art about Naples and we thought: who better to represent Neapolitan resilience and spirit than this Neapolitan character?

Totò is one of the most beloved figures of the Neapolitan history, art and folklore. But though he has worked with some of the most iconic actors in the history of cinema like Anna Magnani, Vittorio de Sica, Sophia Loren, Mastroianni and movie directors such as Monicelli and Pasolini, many people outside of Italy do not know the work of one of the greatest Neapolitan figures of all time. However, to Italians, he is considered to be one of the most extraordinary comic geniuses of all time.


Totò and Anna Magnani

He went by Totò or simply Antonio de Curtis but actually has an incredibly long name. Starting out as Antonio Clemente, he was born in the heart of Naples – his beloved Sanità – in 1881 to Anna Clemente and the nobleman Giuseppe de Curtis, who never recognized him. He always knew of his noble blood but it wasn’t until he was 35 that he was formally adopted by the Marquis Francesco Maria Gagliardi Focas di Tertiveri. Therefore he inherited a long list of names and a noble title, from which comes the nickname “the prince of laughter”.

Walking the streets of Naples you’ll see icons of his image everywhere, not just in the Sanità. To Neapolitans, Totò represents honour and talent, pride and purpose; he was a champion for the poor and is a symbol of hope. His spirit is woven into the collective conscious of this city and that crooked nose and pointy chin, broken a youth, are as ubiquitous as the landscape of the Vesuvius or the image of the Pizza Margherita or the outline of Capri in the Gulf of Naples. Most bars have a photo or ceramic figure that might be placed alongside an image of the Madonna or Maradona.


Totò by Salvatore Scuotto 2017 – donated by Rober Lèon

To many he is considered to have achieved a uniqueness in comic-tragic style like that of Charlie Chaplin, Buster Keaton or Stan Laurel. Comparisons have even been made with his physicality and the movement technique of Michael Jackson. He grew up poor with an unparalleled work ethic that would accompany him during his entire life. Long after he achieved fame and celebrity, living the bella vita in Rome, he never lost connection with his roots in Naples and was always committed to helping the poor not only in his beloved hometown but everywhere.
His characters in the over 100 films he performed in were often poor, clever people who would, through his iconic, often improvised puns philosophise on the current state of the world and the human condition. This way of living humour through tragedy is emblematic of the Neapolitan spirit and what makes his prolific career symbolic of the triumph of a man who started his life in utter poverty.
His work, rooted in the Commedia dell’Arte tradition, started in Naples at age 15 and would then take him to the stages of Rome where he’d marry his first wife Diana Bandini Rogliani. A few years prior to making his film debut, he’d have a daughter, Liliana whose name would be a source of speculation. Totò had had an affair with the actor Liliana Castagnola whose haunting suicide would remain a mystery for the duration of his life. Though his marriage was dissolved in 1940, Diana and Totò would remain connected until she met another man and Totò married the much younger Franca Faldini.

He’s considered a genius for his comic abilities but his career and art expanded to song writing, music and poetry which had a depth recognised by many and celebrated today. Toto’s most famous song is Malafemmena (Wayward Woman), dedicated to his ex wife Diana.
Often when walking the streets of Naples you’ll hear a trace of one of his songs or, even better, musicians or posteggiatori will serenade diners at the local trattorias which will almost always lead to a sing-a-long of his famous melody.
Here is one of his poems, also engraved in an inscription outside the historic Caffé Gambrinus:

‘A cunzegna

The exchange
In the evening when the sun goes back home
And changes shifts with the moon for the night,
The sun whispers in the moon’s ear
“I’m going home:
Take care of all the lovers!”

Totò is a link between two generations of Italy. People of all ages (and social strata) fluidly repeated his jokes, his gestures and entire phrases from his film by heart because his genius has just as much relevancy in today’s world.
Fifty years later Totò’s films still make people laugh, demonstrating the modernity of his humour and some of his characters. He grew up in the densely populated neighbourhood Sanità which was a source for much of his material. As a child he observed his neighbours and the most extravagant people who he would later incorporate into comical characters in his performances. This earned him the nickname of “ ’o spione ” (the spy).
In Sanità you can see representations of Totò on every wall and there are two large light installations dedicated to him, one of his outline and the other with an inscription in Neapolitan of his delicate love poem “Core analfabeta” (Illiterate heart). They both welcome those entering into Totò’s native neighbourhood.

Baroque churches, noble buildings, a bustling market with perfume of delicious food and the voices of the authentic Naples captivate and lead us to the discovery of the many faces of the prince of laughter.
Federico Fellini said “His capacity of making us laugh should make him a saint” and in actuality, our fabulous Naples has sanctified him!


Palazzo dello Spagnuolo

The tarallificio Poppella (taralli are typical Neapolitan savory snacks) celebrates Totò with a mosaic at the entrance to the shop as does the wine bar Sciò with a mural. All of the shops in the area have a photo of him and his cherished films.


taralli napoletani

The first “Vicolo della cultura” (cultural alley) in Italy, inaugurated in the Sanità in December 2019 honours him with a wall-painting amongst books free for whoever might want them. The non-profit organisation Opportunity seeks to challenge criminality with culture, colours, light and art. The portrait of Totò is found at the entrance of the itinerant library along with other celebrated Neapolitans such as Sophia Loren, Peppino De Filippo, Massimo Troisi and Pino Daniele.


Via Montesilvano

Yet it is at the Pizzeria e Trattoria Taverna di Totò where we would like to conclude our little homage to this artistic genius.
With happiness and a scrumptious pizza, a delicious potato crocchè and maybe a tasting of a fabulous side dishes of eggplant and friarielli, we will raise a glass to Totò’s wonderful legacy in the company of the kind server, always ready to entertain customers with a genuine smile, in the spirit of the immortal prince of laughter.


pizza Cosacca

Fabulous Festival in the Sanita’

We’ve written about the Sanità before because it is near and dear to our hearts. It’s a thriving market in the middle of street art and historical landmarks. It’s a place where people call you by name and it has an uncontaminated charm full of artists wanting to be off the radar, families, tourists and students. Naples is a very unique city in many respects as it is a city which welcomes people in the same way that a small town might do so. The Vergini, an area of the Sanità right off of Piazza Cavour is seems like a town within a city and since 2016 they’ve been hosting bi-annual street parties which the whole city (and tourists) love to go to. Although many neighborhoods in Naples have their own form of festivals, often connected to food, the parties at the Vergini is something a bit out of the ordinary. It feels like a sort of Homecoming party/Carnival where the normal shops host budding DJs, stages are set up where normally market stalls would be to host actors, dancers and singers

 

and food shops cook fresh fish and fried pizza outside of their doors for all the passersby. You might find yourself in the middle of a spontaneous street karaoke session or a dance party in front of a church or a wine bar.

 

On your way to the party, you cannot miss the famous Porta San Gennaro. Look up to the arch whose fresco by Mattia Preti represents the Immaculate Conception holding the baby and surrounded by angels. At the sides of the Madonna we see a kneeling St. Francis Xavier and St. Gennaro offering her his blood, a haggard woman on the steps in the lower section of the fresco symbolizes the plague and the two marble statues represent St. Gennaro and Michael. The artist  was charged with painting tributes to the Madonna on all the city gates after the plague epidemic in 1656 and this is the only fresco that has survived.

On the other side of the gate is a bust of St Gaetano and under the arch we see a shrine showing the Virgin, located here since 1887 to remind us of salvation from another epidemic (Asiatic disease) that shook Naples in 1884.

Originally located in proximity of via Settembrini, at the beginning of the 16th c, under the Vice-Kingdom of Don Pedro de Toledo, the city walls were enlarged and the gate was moved to is present location. The name remained the same as the gate gave access to both the catacombs of San Gennaro and the church of San Gennaro extra moenia (outside the city walls).

Porta San Gennaro and the permanent light installation dedicated to Totò the famous actor who was born in the Sanità district

Take in the art of this historic part of the city wall before getting your fill of food and music in The Vergini at today’s much-anticipated event of The Sanità Ta Ta featuring many artists such as Galera De Rua, Tartaglia Aneuro and Tommaso Primo.

If it’s late enough when  you finish celebrating, you can return to right below Porta San Gennaro to check out the all night stands along Via Foria who are open for the Epiphany tradition of candy-filled stockings that the children will find in the morning.

 

Rococò or roccocò?

Fiorella: Christmas is coming and the dilemma is Rococò or roccocò. Why don’t to do both?

Alice: We all know that the Rococo style originated in France in the early 18th century but spread in other European countries such as Austria, Germany and of course Italy. Furniture, porcelain, decorative arts, paintings, stuccoes and architectural elements started to be shaped as asymmetric, curly, gilded or pastel colored: exuberance became the key word.

The world rococo comes from the French rocaille, a shell-covered rock that was used to decorate artificial grottoes.

What does roccocò mean then? It is not soft or light as the rococò 18th c. stuccoes. It’s not popular in the rest of Europe, yet it is really famous in Napoli and there is no Christmas without it!

Fiorella: This biscuit made with almond, honey, candied and Neapolitan pisto (mix of spices such as cinnamon, cloves, nutmeg and coriander) was invented in 1320 by the nuns of the Real Convento della Maddalena and was called roccocò for its semi-round but irregular, asymmetryc shape.

 

 

We love to go around Naples at Christmas time and walk through the halls of the Royal PalaceRoyal  to admire the rococò doors and stuccoes,

 

      

 

enter the fabulous church of San Gregorio Armeno to be raptured by the two fabulous, extravagant wooden choir-lofts and then

get some Christmas calories at our beloved Borgo dei Vergini. Here between the tarallificio Poppella and the local gluten-kingdom bakery we can snack on a roccocò while immerging ourselves in the fabulous rococò staircases of Palazzo dello Spagnolo and Sanfelice.

 

 

Once “ai Vergini” how to miss mustacciuoli (or mostaccioli), susamielli or raffiuoli? These are only some of the Christmas sins to be committed.

 

You don’t like sweets? No worries, the choice of savory is just as broad!

 

   

pizza di scarola (escarole pie) and papaccelle (pickled small peppers)

 

baccalà fritto (deep fried codfish)

 

 

 

A Fabulous Night Among the Artichokes

Alice: Fiorella, we have to tell the readers about our Friday night in the Vergini!

Fiorella: Who would’ve thought that we would be at a party around pineapples, art students, families and one of the funniest DJs I have heard in a long time!

Alice: When you told me about a party at Ciro, our favorite vegetable seller, I had to go to see what a night dancing to Neapolitan 90’s pop while buying vegetables for Saturday’s lunch looked like.

Fiorella: And it looked FABULOUS.

Alice: Every day this bustling market street hosting Palazzo dello Spagnolo and the famous Ciro Oliva pizzeria is full of cars and mopeds and baby strollers and people going every which way to buy fish, socks, oranges, a newspaper or mozzarella but Friday night it was magical. There was a new energy where the stands used to be which connected artists from around the city, locals, tourists and two of the best up-and-coming bloggers in the area to relax, sip wine, dance and eat delectable, homemade sandwiches filled with ingredients from Ciro’s mom like meatballs, friarielli and eggplant Parmesan.

Fiorella: It was unforgettable! I loved how Ciro, still dressed in his work clothes, was dancing next to the DJ while he continued to sell his fruit and vegetables.

Alice: That is Naples for you…a surprise around every corner. Where else can you find this kind of spontaneous creativity?

 

 

 

FIVE FABULOUS THINGS OF NAPLES

Alice: Are Caravaggio, Fontanelle Cemetery, Palazzo dello Spagnolo, the Gaiola beach and the terrace of the Excelsior hotel fabulous?

Fiorella: Oh yes!

Alice: So, if I have understood correctly, the following will make your time in Napoli FABULOUS:

 

5 Fabulous Things of Naples

 

PIO MONTE DELLA MISERICORDIA – CARAVAGGIO

You are feeling charged with energy as you cross via Duomo after your coffee with a heart drizzled in hazelnut of their specialty caffè schiumato at Bar Max. The scooters whiz past you but you aren’t fazed-you are about to see one of the most important works of Michelangelo Merisi, better known as Caravaggio.

You walk on the cobblestone and at the end of the stretch of Via Dei Tribunali is Castel Capuano (which was converted into a tribunal in the 16th century, where it got its name) but you don’t really pay attention. You are enchanted by the guglia di San Gennaro a baroque spire built by Cosimo Fanzago after Vesuvius eruption in 1631. The colorful painting on your left catches your eye. Could that be Caravaggio himself with one leg on a supersantos football next to San Gennaro worried instead for the unemployed Neapolitans? In this work by Roxy in the Box two heroes with a very different way of dressing are now friends.

Caravaggio was running from the law after being charged with murder in Rome but the Governors of the Pio Monte di Misericordia didn’t seem to mind. They paid him a hefty sum for Our Lady of Mercy (also known as the Seven Works of Mercy) which has now become one of the most visited artworks in Naples

Alice: You can’t take your eyes of the spectacle: realism depicted in this work is nothing short of amazing.

Fiorella: In his canvas, Caravaggio had to depict the inspirational principles of the Pio Monte and he did this by combining them in a single scene full of real characters creating the impression of a typical Neapolitan back street. The protagonists are worldly beings, highlighted by a strong light and foreshortened by shadow. The work of the Institute is narrated by figures from classical and Biblical sources together with the common people Caravaggio chose as models.

Fiorella: I want to show you something else fabulous to the painting gallery upstairs where from the little choir we can admire the Seven works of Mercy and from the window the guglia di San Gennaro

Alice: Walking out of the Pio Monte you are dazed as if you had just seen one of the best theatrical performances.

(Fiorella: Weren’t you in a live performance of this painting at the Gino Ramaglia art shop a few years back?

Alice: Yes, but I won’t tell you which character I represented! But, it was…FABULOUS.)

 

The street brings you back to life with the smells of pizza being cooked in a nearby brick oven. You are hungry but you stay with the dream but you are an adventurer and you have other things to uncover.

 

 

CIMITERO DELLE FONTANELLE

 

One thing you know to be FABULOUS is the experience of being in places which aren’t so easily explained. The electricity of the Caravaggio has left you seeking the unexpected. You’ve eaten a Fiocco di Neve at Poppella whose light, airy ricotta cream has prepared you for the excursion to a cemetery. This is no ordinary cemetery; the place, cool all year with ceilings looming with spectacle. You think to yourself “how macabre, how dark” but you want to know more. Stepping into the cave which has acted as a cemetery vault for three hundred and fifty years, you feel like you are entering another dimension. Although the bones and shallow graves are of unknown people, there is nothing anonymous about this place. Candles are lit as if family members are showing devotion to the remains of their beloveds long before passed. Devotion: a word that can be used to describe Neapolitans in their love for their football team, the sea, pizza and Totò. Devotion can also be used to describe the practice of “adopting” bones of unknown human remains in this ossuary made of tuff. Although abolished in 1969, the seemingly maintained alters to skulls with no names might indicate otherwise. And was that a Barbie doll laying prettily in front of one of the piles of bones? You pause to think of all that has come before, of the reasons behind this practice. You pause again because your stomach has started to rumble, almost audible among all the people murmuring about the spectacle. Though you might feel a little strange about the timing, being that you are surrounded by bones, dolls, bus tickets and coins to pay the trip to the afterworld, all you can think about is pizza. On the way to this marvelous haven of Neapolitan folklore, you passed Concettina ai Tre Santi and can’t get the delicious smell of warm fior di latte and bubbling tomatoes sauce out of your head. And, hey, this is FABULOUS Naples, the city of light and dark. This contrast between life and death, old Barbies and pizza, is what makes this city unforgettable.

 

Alice: I heard there is a fabulous palace around here that has been a set for many TV shows and films.

Fiorella: Nothing fabulous ever escapes you! Oh yes, you have to see the staircase of Palazzo dello Spagnolo! Let’s go.

 

PALAZZO DELLO SPAGNOLO

 

You are looking for something decadent and elegant after the mystery of Cimitero delle Fontanelle and find it in this late-Baroque-style private residence known for its double ramp staircase. The Palace was started by architect Fedinando Sanflice in 1738 for the Marchese Nicola Moscati. The interior is a soft, stuccoed, eclectic, complex and fabulous scenography. Why is it called the Spaniard (lo Spagnolo)? Because part of it was sold to the nobleman Tommaso Atienza who called it Lo Spagnolo. Even if in the 19th century it was bought by the Costa family, it has maintained its name. You try to pronounce it and revel in your tenacity of pronouncing such a beautiful name. You love those Italian vowels!

You remember that building with a similar staircase we saw on the way to Lo Spagnolo, looking spookily similar to Palazzo dello Spagnolo. Ten years before Sanfelice started on this marvel, he had already built his own palazzo in the same area. His peculiar courtyard and staircase are rundown and it’s quite sad to read above the entrance: Ferdinando Sanfelice patrizio napoletano, per la straordinaria salubrità del luogo, costrui questa casa dalle fondamenta. Fu lui il progettista, curatore e proprietario dell’opera. Anno del Salvatore 1728.(Ferdinando Sanfelice Patrician of Naples, for the extraordinary healthiness of the place, built this house from the ground up. He was the designer, curator and owner of the work. Year of the Saviour 1728) After all of this history, you decide to grab a glass of wine at one of the great vinerias down below before heading to get a pizza at one of the best places in town. They let the dough rise for over a day and the fresh mozzarella and basil, some of the signature tastes of this city, are a perfect way to get to know this neighborhood full of life and excitement.

Alice: Fiorella, I know you know somewhere incredible to see the natural landscape of this enchanting place. Any ideas?

Fiorella: Yes! Naples can also be the place for a swim or simply a walk on the cliffs. Let’s go to FABULOUS Posillipo!

Alice: How to get there?

Fiorella: Taxi! Worth it for a ride to this “respite from worry” corner of paradise (Pausilypon in Greek is rest from pain)

 

GAIOLA

 

You are ready for some sea air, crystal waters and cliffs of Tuff. This is such an incredible change from being in the bustle of heart of the Sanita’. You find The Archaeological Park of Gaiola to be an unique combination of nature and archaeology in this busy city! Even though it is best to go early in the morning, you are so happy to be here in the afternoon. Because it is Summer you brought your ID as only 100 people are allowed to swim in this corner of Paradise. Here with a simple mask you see several species of fish, seaweed and the remains of opus reticolatum walls belonging to the villa of Publius Vedius Pollio. How incredible to see the nature of the sea and ancient history together? Where else can you do something like this? Born in the 1st century BC Vedius Pollio attained authority in Asia on behalf of Emperor Augustus and built his amazing estate called Pausilypon here. Known for his cruelty, he died in 15 BC and left his villa to Augustus. The Seiano cave, the Odeon and the theatre are only some of the ruins of this fabulous estate surrounded by tuff cliffs and vegetation. You look out to the water and wonder about the rest of it lying underwater. The unpredictable bradyseism has changed the sea level so we can only dream about the rest of the magic below. With Capri in front of you, embraced by Vesuvius and Capo Posillipo, you are not surprised that the Dutch painter Anton Sminck Pitloo started the School of Posillipo here . Pitloo and the other artists anticipated the French Impressionism in painting outdoors with natural lighting the marine shore and landscapes from this area. You had no idea this rich history of art existed in this ancient, breathtaking place. Oh how you love breathing in this adventure.

You have felt like you have had such a great day exploring the city and are ready to end your day with something… fabulous. It’s time to go to the Terrazza.

Fiorella: Alice, you really know how to live elegantly!

Alice: Would you expect anything else? I mean, this city knows how to wine and dine any kind of tourist but the Excelsior is one of the best places I know for a drink.

 

 

HOTEL EXCELSIOR-TERRAZZA BAR

 

 

This place got its name from its incredible terrace, which has views that stretch from Vesuvius to Posillipo. You feel like you are going back in time after walking onto the terrace. White, ornate furniture is placed among the jasmine flowers on the terrace which overlooks Castel dell’Ovo. The sun is beginning to set and the waiters are so kind and easy going that you decide to take a look around the bigger part of the terrace lined with flowers and plants. You could take a picture or rather one hundred but you prefer to take in the view of the pinks and oranges of the sky as you hear the sound of the seagulls over the water. People bustle below you as you sip your perfectly chilled glass of Falanghina as you reflect on your adventure. Here in this paradise overlooking this ancient bay, you can step away from all of the excitement to take in the beauty, the pure exquisiteness of this city that has left you forever enchanted.