Tag: guided tours of Italy

A Fabulous Musical Street

Posted on by alice

Alice: I remember when I came to Naples eighteen years ago. It was a dark and rainy January and I would walk the historical centre, making friends with the people I’d meet at the shops and bars I spent time in to keep warm. One of the friends I made was working in a CD store on via Sebastiano I had stumbled upon because I was too shy to visit the stores, although I was fascinated by their instruments, especially their mandolins. He introduced me to local musicians like Pino Daniele, Nuova Compagnia di Canto Popolare, Almamegretta and 99 Posse. Along the street named after the once-present San Sebastiano Monastery and with its proximity to the Music Conservatory which has been visited by Rossini, Alessando Scarlatti, Bellini and Donizetti (among others), it is still the home to the biggest concentration of music instruments and equipment in Naples.

Fiorella: You are right! It is always nice to walk by the Conservatory and hear the musicians and singers practising.
Neapolitans are never tired of visiting this fabulous place.
The Royal Conservatory of San Sebastiano was established  in 1807 by King Giuseppe Bonaparte. In 1826 it was named Royal Conservatory of Music of San Pietro a Majella. It originated by fusing together three conservatories founded in the 16th century in the churches of Santa Maria di Loreto, Sant’Onofrio in Capuana and Pietà dei Turchini. The aim of the three institutions was to rescue children from the streets of Naples by housing them and educating them through music.
The conservatory and the adjacent church are part of the 14th century monastery of San Pietro a Majella, built at the end of the 13th century and dedicated to Pietro Angeleri, who became Pope as Celestine V in 1294.

The church is also a must-see! The transept is decorated with valuable frescoes dating from the 14th century, baroque marble inlays and a cycle of paintings by Mattia Preti, amongst the others. The fabulous 17 th century cloister with palm and banana trees and a monument to Beethoven by Francesco Jerace, leads to a second cloister and to the Conservatory.
The Conservatory library houses important manuscripts of the numerous composers  who lived and worked in Naples.

Alice: Also Neapolitan-by-adoption like me love to walk down the narrow, tree-lined street and hear notes from guitars, violins and mandolins waft in and out of the doors of the stores. Music lovers will truly appreciate this corner of Neapolitan history. Don’t be shy like I was initially!We visited Giuseppe Miletti store as well as others the other day to buy a speaker and a mixer for upcoming concerts. Two hours and an impromptu concert later, we walked out smiling and in appreciation of Manuela’s patience for all the models she happily let us try!

When you leave via San Sebastiano, turn left at Spaccanapoli to check out the artisan street vendors and street musicians performing for the throngs of people walking by. If you’re looking for something to please your sweet tooth, there is Gay Odin which has some of the best chocolate and gelato in town.
In the late 19 th c. Isidoro Odin, a young chocolatier from Alba, come to Naples, one of the most important and populated European capitals. Naples was a melting pot where artists, aristocrats, scholars and food-lovers from all over Europe spent their time in the already colorful and busy streets of the city. The first classy and wonderfully smelling factory was opened in Chiaia, the area where it is still today. Isidoro worked day and night to create delicious new delicacies and surprise the Neapolitan fine palates. Gay Odin chocolate was and is still today considered one of the best in town. All phases of production are handmade, from chocolate roasting to packaging. Packaging is still the original from paper with vintage images to fabulous boxes representing Naples’ vedutas and guaches. One of the reasons why it is in the registry of Italy’s historical places.
Fiorella: Hungry for something more substantial? Try out the pizza at historical Pizzeria Lombardi.
Pizzeria Lombardi a Santa Chiara is a 5 th generation pizzeria, decorated with majolica tiles inspired from the next door cloister of Santa Chiara. The first pizzaiolo in the family started in 1892 in his bare basso (street level home) in vico Limoncello where calzoni with ricotta and maybe cicoli or simply tomato sauce were coming out from a frying pan and sold for few liras to the neighbours. Four generations have made pizzas every day in the historical center.
A coffee is also mandatory in 70s original style Settebello bar, a bohemian spot where whoever desire to play the piano is welcome…be advised though that the owner, Pino, is an expert in classical music. Also, his fabulous nephew is a musician who studies music and plays piano between serving one espresso after another. Intellectuals, street artists, old professors, street vendors and students are all sitting at the tables of this welcoming corner, where table service is not charged.

 

Sant’Anna dei Lombardi – A gem in the heart of Napoli

Posted on by alice

Fiorella: Don’t you love that fabulous gem in the heart of Naples, near Piazza Monteoliveto?

Alice: I do! Honestly, I just discovered how amazing this place was last year. I think our readers would love Sant’Anna dei Lombardi as well. Tell us about it!  

The church and the monastery of Monteoliveto were founded in 1411 by the Protonotary of King Ladislao of Durazzo. The name was changed into Sant’Anna dei Lombardi, when the Lombardi Confraternity was transferred here at the beginning of the 19th century after their church had been demolished after an earthquake.

This religious complex was beloved by the Aragonese Kings, in particular by King Alfonso II.

Thanks to the relationship the Aragonese had with the Medici and the Estensi families, some talented artists from Tuscany and Emilia worked on this structure.

In 1475 the Florentine Antonio Rossellino was entrusted with the the sepulcher for Maria of Aragon, daughter of King Ferrante and wife of the duke of Amalfi Antonio Piccolomini. The elegant monument was completed by Benedetto da Maiano.

The softly carved Nativity on the altar and the putti with garlands are delicate details one can appreciate in this fabulous Renaissance chapel.

In the 16th century Monteoliveto was enriched with many other masterpieces such as the marble altars by the local artists Girolamo Santacroce and Giovanni da Nola at both sides of the entrance.

To the right of the apse is a room with the fluid frescoes by the Spanish Pedro Rubiales (16th century) and the fabulous and theatrical terracotta group of the Lamentation over the dead Christ by Guido Mazzoni from Modena (1492).

Alice: I always loved the facade and although I had walked by this building so many times, rushing to lessons near Piazza Carità or to meet friends in Piazza del Gesù and it wasn’t until I went to a choir concert here last year that I actually saw the incredible beauty from the inside. Incredible.

Fiorella: Did you see the Sacristy? Once the Refectory, it might possibly be the highlight of the church. Look at the fabulous wooden stalls by the monk Giovanni da Verona with intricate prospectives, musical instruments, animals and lovely small statues brought to life with unusual clothing!

The paintings frescoed in the vault by Giorgio Vasari (in Naples between 1544 and 1545) with virtues, allegories and grotesques dominate the room and you cannot forget it once you take it in.

Alice: Those frescoes are unforgettable.

 

Fiorella: And before you leave the church, notice the sepulcher on the left hand side of the pronao. Here rests the architect Domenico Fontana who died in 1607. The monument was moved here from the church of Sant’Anna dei Lombardi.

Alice: After spending your time taking in the details of this masterpiece of a church, you might get hungry. Actually, I definitely am.

Fiorella: You fed your eyes so it is time to feed the stomach.

Alice: You are so good to me, Fiorella! But, I am not feeling a sfogliatella today and it is too early for a meal…

Fiorella: If you want a savory snack go for a potato croquette or a panino napoletano (a soft dough with cheese and cured meat) in the pizzeria Giuliano in Calata Trinità Maggiore, only a few minutes from here. And since you love the Neapolitan panino, I can give you the recipe I like.

Alice: Dangerously fabulous. Yes, please.

Fiorella: The recipe is for no more than five panini -to be shared with your friends or family. Don’t go overboard, I know how much you love these and you need to save room for dinner.

Alice: Fabulousness has no limits, Fiorella!

 

Ingredients for 5 panini napoletani:

20 gr of flour, type “0” or “00”

50 gr water

50 gr milk

6 gr bread yeast

1 spoonful of lard (if you want to go old school-traditional) or butter/margarine/shortening (for a little lighter option)

Salt

10 gr of Parmesan cheese

40 gr of pancetta (or bacon if you can’t find pancetta)

40 gr of ham

80 gr of provolone

Pepper (feel free to put a lot)

Oil

Dissolve the yeast in water and warm (tepid) milk and slowly add the flour.

Lovingly mix the salt, pepper and lard until the dough is soft and elastic without lumps of flour.

Let the dough rest for two hours, covered by a slightly damp cloth.

Roll out the dough with your hands or a rolling pin to about 3 mm of thickness.

Press the pieces of ham, pancetta, and provolone into the dough and add the Parmeasan.

Loosely roll up the dough in order to form a roll and cut it into slices of about three fingers width.

Place the panini napoletani on a greased cookie sheet, cover them again and let them rise for two hours.

Once they have proofed, cook them in an oven preheated to 180°C for roughly 20 minutes.

 

And you can also prepare a vegetarian version with margarine instead of lard and eggplants, peppers or friarielli instead of cured meat …not traditional but still fabulous!

Fabulous San Giovanni a Carbonara

Posted on by alice

Fiorella: Apart from pizza and pastries, Naples is famous for archaeology and lots of Baroque…one of the many interesting contrasts of this city. And if you look hard enough, you can find gems of the Renaissance in this fabulous città d’arte.

Alice: I love the Baroque in Naples but it is so great to find those rare places that are examples of other styles. Do you have some favorite spots?

Fiorella: The church of Sant Anna dei Lombardi, the sepulcher for Cardinal Brancaccio by Donatello and Michelozzo in the church of Sant’Angelo al Nilo, the Succorpo in the Duomo and the marble arch of Castel Nuovo are some of the best but I think one of the most notable examples of the local Renaissance is the church of San Giovanni a Carbonara.

Only a few minutes walking from the Duomo and the MADRE museum, in via San Giovanni a Carbonara you find this amazing site where I lead tours to visitors who want to stay away from the typical tourists routes.

Alice: Sometimes off-the-beaten path is the best! I want to know more about Napoli Renaissance. Can we walk there together for a short guided tour? We should also specify that Carbonara has nothing to do with the famous Italian pasta dish that I love so much. However, let’s promise our readers that after the visit they can have a break at the close-by Rescigno bakery, a gluten (and not only) paradise.

Fiorella: Exactly! Carbonarius, indeed, was a place outside the city walls where refuse was collected and burned…not inviting at all.

Alice: By refuse, do you mean trash? But San Giovanni is so pretty!

Fiorella: The complex of San Giovanni was built in the 1340s in this restyled area and dedicated to St. John the Baptist. During the reign of King Ladislao di Durazzo it became the Royal cemetery. Damaged during the earthquake of 1688, it was restructured in the 18th c. by Ferdinando Sanfelice, our beloved Neapolitan architect famous for its spectacular double flight staircases.  Remember our post about the 5 Fabulous Things of Naples?

Climbing the stairs, half way up, we see the Chapel of Saint Monica with its 15 entrances. Continue up the steps-

Alice: Wait, how many steps exactly?

Fiorella: Do not complain-a fabulous surprise is waiting for you. Plus, you are a pro at stairs, I know you live on the fifth floor with no elevator! Anyway, after a little bit of a walk upstairs, you will finally reach the church of San Giovanni. So worth it. And remember we are going to Rescigno afterwards for some of the most delicious snacks ever!

The courtyard is also the entrance to the Cappella Seripando, called the chapel of Crucifix after Giorgio Vasari painted the Crucified Christ (1545) now in the presbytery of the church of San Giovanni.

Suppressed as religious order, the complex was used by military and then bombed in WWII. It was later restored and returned to its origin. The XV century portal, once a side entrance, leads into the church.

Alice: This place is fascinating. Another example of the layers of history around every corner of this city.

Fiorella: The first monument we see is the Miroballo Altar (second half of the15th c.) that reminds us of the arch of Castel Nuovo.

 

Alice: That arch is another one of my favorites as well…anyway, go on!

Fiorella: The Sepulchre of Giovanni Miroballo is a round arch, decorated with statues of saints ending with a tympanum on which St. Michael stands. The central niche, in the arch shows St. John the Evangelist by Giovanni da Nola, and the virtues: Temperance, Strength, Prudence and Justice.

In the tympanum you see the founders of the chapel with the Virgin Mary, Saints John the Baptist and John the Evangelist. The chapel, is considered to be the work of Lombard artists. Probability Jacopo della Pila, Tommaso Malvito, G.T.Malvito and may be Pietro da Milano, in Naples to work for King Alfonso of Aragon at the Arch of Castel Nuovo which is the triumphal arch celebrating his accession to the throne.

Walking towards the altar, amongst sculptures and paintings, you reach the 15th c. Chapel of Caracciolo di Vico (to the left of the presbytery) with a concentric square marble floor and a white cupola which repeats the same geometric motif. The chapel shows the work of the most important sculptors working in Naples between the 15th and 17th c. Giovanni da Nola, Girolamo D’Auria and Annibale Caccavello amongst the others.

Bartolomé Ordóñez and Diego de Siloe are the two foreign artists who realized the altar in around 1516. Active also in Rome, they were familiar with classical sculpture and Raphael’s work. More decisive and dynamic is Ordóñez style, fluid and softer de Siloe’s. The Epiphany in the center, indeed, is attributed to Ordóñez. Here the draperies and the features of the Magi and the other characters are well defined. While Saint George who kills the dragon and the other figures dressed in light fluid drapes would seem to be by de Siloe as well as the flat sculpted Christ on the frontal altar.

Leaving this exquisite space we reach the apse where the impressive Sepulcher of King Ladislao di Durazzo dominates the scene. It was commissioned by his sister who inherited the throne as Giovanna II and it is dated 1428. On the first level of the gigantic monument are the frescoes by Leonardo da Besozzo and statues representing the Virtues with their iconographic elements: Temperance, who pours water into wine; Strength with the column of Samson; Prudence with the snake; Magnanimity who holds a shell with a cherub.

On the second level we see Ladislao and Giovanna II on the throne. At the side of them we can see Military Virtue with the globe and Hope with cupped hands and Charity with a horn of plenty and two maidens and Faith with a goblet.

There is also Giovanna the Queen who descends from a valorous brother and royalty continues on top of the arch where Ladislao’s parents, Carlo III and Margherita di Durazzo are found. Can you see the bishop blessing the king, the Madonna and child together with Saint John the Baptist and Saint Augustine, protecting him?

An opening between the statues of the Virtues leads onto the Chapel of the Caracciolo del Sole family, commissioned by Sergianni Caracciolo, lover of Queen Giovanna II.

 

Alice: Wait, a lover? Scandalous! I guess that is nothing new.

 

 

Fiorella: Yes, he was not a very faithful lover however. Appointed by the Queen as Great Seneschal, he was an ambitious man, ready to do anything in order to obtain office and riches, he betrayed even Giovanna and this eventually led to his murder in 1432.

The chapel is circular and completely frescoed (15th c.) with Stories of the Virgin’s life. Look at the scene in which St. Anna gave birth to Mary: there is a woman looking out of the window with washing hung up outside; another, on the ground floor, is cleaning a chicken.

Alice: Not much has changed in Naples in terms of the washing hanging outside although I don’t think I have ever seen anyone cleaning a chicken! Yet.

 

 

Fiorella: The fabulous floor of this chapel dates back to early 15th c. Local craftsmen created these zoomorphic motifs, vegetable elements and portraits. In some tiles, you see a sun, symbol of the Caracciolo del Sole (Caracciolo of the Sun) family.

Sergianni’s sepulcher was commissioned by his son about ten years after his assassination to celebrate the power of the Seneschal.

 

Alice: There is so much here to take in. A perfect place to wander, explore and take in art and architecture without the hustle and bustle of throngs of tourists. I am getting hungry, though…

Fiorella: Ok, ok, I know just the place to take you. But before you leave the church, take in what remains of the 15th c. fresco of the Annunciation and if it’s sunny don’t miss the little balconies next to the church with washing and a Naples-style panaro (basket) hung up outside.

 

 

Are you ready for a coffee and a Naples-style snack? You know we are not  yogurt-and-an-apple type snackers and the near-by Rescigno bakery offers a wide selection of savory and sweet treats to commit an understandable sin!

 

Alice: I mean, didn’t we earn it? All those stairs! I will take two taralli, please!

Fiorella: Just two taralli? They are so delicious but there are so many choices of wonderful things to go for. You can taste a frittatina di maccheroni (pasta and béchamel which is breaded and fried), a focaccia with so many perfect toppings to choose from. But have you tried their primi piatti?

Alice: Yes, of course! You know I love my carbs and this place has so many choices. One of my favorites first dishes at Rescigno is sartù di riso which takes a while to make but only minutes to devour. Sartù is the Neapolitan elaboration of the French word sur tout (above all). Sartù comes from when chefs created this fusion dish to please the Bourbon nobility. It is a perfect blend of ragù meat sauce, rice, and tiny meatballs (sometimes salami) and then baked with breadcrumbs to perfection. I think I will take one tarallo for the road and enjoy this amazing dish.

 

 

p.s. Thanks to Raffaele Lello Mastroianni for the photo of the Crucifix by Vasari

 

 

 

Three Fabulous Piazzas of Naples

Posted on by alice

Alice: Fiorella, do you have a favorite piazza in Naples?
Fiorella: Oooh, there are so many to choose from. If we stick with Centro Storico, I would say Piazza Bellini, Piazza del Gesù and Piazza San Domenico.Alice: Yesssss. I think Piazza Bellini is my second home!
During the years of my time here, I have seen the trend of piazzas change and the re-shifting and re-shaping of its surroundings: always unpredictable. When I came to Naples 16 years ago the typical Saturday night would be a stroll between Piazza del Gesù to Piazza San Domenico where we would grab a beer from one of the vendors selling refreshments out of big, blue iced tubs.
Piazza Bellini was the place to go if you wanted to be fancy and sit down to sip a cocktail. Now, each piazza is the place to be and offers many ways to relax, explore and socialize in the great context of this artistic city.

THREE FABULOUS PIAZZAS IN CENTRO STORICO

PIAZZA BELLINI

You are the tourist who wants more than just a simple grab-a-pizza and a magnet and head back to the hotel vacation. You have seen this marvelous UNESCO center: the Duomo, the Sansevero Chapel, The Greek-Roman unedrground city, San Gregorio Armeno, the many churches and historical palazzi, maybe the street art. Now, walking down the ancient street of Via Dei Tribunali you find yourself at Piazza Bellini, a thriving social center. Passing by the music conservatory San Pietro a Majella where you might catch the notes of an aria of Mozart or an arpeggio of Chopin. Once you hit the piazza, you realize that it is not all cafes and outside drinking. The piazza, which gets its name from the statue of the famed Sicilian composer who studied at the conservatory of Naples, is built on and around the remains of a section of the ancient Greek walls of Neapolis. Many years ago when I first got to Naples, the three main cafes were Café Arabo which offers light Middle Eastern food and cocktails and Intra Moenia (which means inside the walls) full of art and often hosting literary events and Lemme Lemme, previously called the Internet Bar (one of the only places I could use dial-up internet to write my mom an email) were the anchors of the slightly sleepy piazza. Currently there is nothing sleepy about this place! One side is lined with sit-down cafes as well as Nea which is a gallery and performance space and the other side has stand-up bars where you can get a 2 euro spritz. On the western side, Via Costantinopoli which leads from Piazza Bellini to the Archaeological Museum and is famous for antique shops, also has lots of places to eat worth checking out. If you are looking for something moderately upscale, the Slow Food restaurant La Stanza del Gusto right off of the piazza offers a fun, colorful environment with elevated local cuisine and a good wine list.

PIAZZA DEL GESU’

As you walk down from Piazza Bellini, you will notice the spattering of music shops on the tree-lined street that might call you to pick up that old saxophone in the closet once you get home from your travels. Interspersed with the music stores are artisan and vintage shops which lead to Spaccanapoli, the parallel to Via Dei Tribunali. Turning the corner, you will see Santa Chiara. It is the church with the green roof which is visible from San Martino in Vomero. It is one of the main religious complex in the city and inspired also the romantic Neapolitan song Munasterio ‘e Santa Chiara.

Fiorella: Romantic and Royal, what a fabulous combination!  This prestigious convent was commissioned by King Robert of Anjou (called Robert the Wise because he was a patron of the arts, buried in the funerary monument in the end of the nave, behind the altar) and his second wife Queen Sancha de Maiorca to house about 200 Clare nuns in seclution and 50 Franciscan friars who could officiate the religious services. The large Royal complex housed these two communities in separate areas and cloisters and its sober structure still expresses the Franciscan rule of poverty.
The original Gothic style combined with local trends and was enriched with stain glass, frescoes and sculptures by famous masters. In the 17th c. the church was totally renovated and transformed into a Baroque monument. Bombed during WWII, it was restored and brought back to its origins but most of the artistic tresures were lost. The cycle of frescoes by Giotto (1328-30) in the secluted church of the nuns was destroyed. Only a little fragment of the Lamentation over the Dead Christ survived. Not open to the public, it can be seen on special occassions.
The majolica-tiled cloister is a must to visit! This 14th c. enclosed garden where the Clare nuns were living was enhanced in the 18th c. by the work of D.A.Vaccaro who designed the eclectic majolicas executed by Donato and Giuseppe Massa. Grape leaves decorate the pillars while hunting scenes, landscapes, the four elements, masks and a nun feeding the cats cover the seats of this walled gem. The ruins of a I and II c. A D Roman Bath and a 18th c Nativity complete the visit to this remarkable complex.

Alice: If you leave the confined life and turn left, you come across the large piazza with the looming Guglia (Spire) dell’Immacolata which was built in the 18th c. and is now circled by taxis, tourists and students.

I met some of my oldest friends in this piazza on my first Saturday here on a sunny January day. Having nothing to do, I thought I would try to draw the facade of the church. Easy! After numerous attempts and as kids rode their bikes around me incessantly asking me what I was doing and who I was, a huge samba band approached the piazza to practice. Swept up by the music and coerced to follow the traveling group, I traded my art supplies for a dance-so representative of the magic of this city and a metaphor for my time here!
The façade of the Chiesa del Gesù Nuovo is incredible-full of mystery with the congruent pyramids spiking out into the air that I definitely could not do justice with my 5th grade drawing skills. It is so unusual…

Fiorella: I know, it is unique as a church and many people do not know its mysteries. Indeed, the building was the private palazzo of the noble family Sanseverino, designed by Novello da San Lucano in 1470 with this ashlar diamond stones. After confiscations and changes of ownership, the palazzo was bought by the Gesuits who entrusted the architect Valeriano to transform it into a church. This is why the contrast between the original façade and the Baroque interior is so strong. Many artists painted, frescoed and carved works for this monumental church where the eye cannot rest. On the counter-façade triumphs the Expulsion of Heliodorus from the Temple a theatrical fresco signed and dated by Francesco Solimena. Cosimo Fanzago architect and sculpture, a genius of Neaples 17th century designed the marmi commessi, inlaid marble, and carved the stirring statues of David and Geremia (in the Cappellone di Sant Ignazio, left arm of the church) whose realistic expressiveness and fluid drapery well express the tremendous talent of Fanzago who also worked at other sculptures in the church.
On the same left hand side of the church you can approach the chapel that houses the urn of San Ciro On the altar a beautiful wooden Crucifixion by Francesco Mollica. Now you will realize why Ciro is a typical Neapolitan name, especially among the older generation. Ciro was a doctor killed in the IV c. AD during the persecution of Christians. Neapolitans who believe in the miracle come here to pray and be protected from physical diseases. If Saint Ciro ‘works’ they bring him an ex voto, a silver object representing the part of the body that was sick or simply an heart expressing devotion.
This choreographic way of testifying affection to Saints and not only, is well visible in the next chapel where the donation of the princess of Bisignano is displayed. Skulls and rests of beatified or saints are housed in rich gilded caskets holding busts.

Alice: You can also visit the modern space dedicated to Vincenzo Moscati, a former doctor canonized Saint in 1987 to see how the ex votos are still popular.

PIAZZA SAN DOMENICO

Alice: If you need a break from devotion retrace your steps to get back on Via Benedetto Croce, a section of the popular and highly populated Spaccanapoli. Spaccare in Italian means to break and Spaccanapoli is the ancient Greek plateia – than named in Latin decumanus – that split Neapolis west/east. You will immediately see Gay Odin where you can get a decadent gelato (try pistachio and dark chocolate!) and the famous chocolate foresta or a vesuvio treats or just head across the street to grab a coffee while you listen to the bartender or a customer play tunes on the piano. As you walk to San Domenico you will pass Palazzo Venezia which is not only beautiful inside but has excellent musical events. You’ll see a lot of shops offering souvenirs which are much better than the pizza magnet you were going to buy for Aunt Betty. Once you arrive at the piazza you will see another spire erected after the horrifying 1656 plague and dedicated to San Domenico. On the slope going up to the unique church where St.Thomas Aquinas spent two years (1272-1274) teaching theology at the adjoining monastery which was the original seat of the University of Naples. Bordering the piazza is one of the main buildings of the Orientale University, Palazzo Corigliano which during the year is thriving with students and professors. Depending on the time of day, you might catch a theatre performance, street concert, game of frisbee or football or jam session. Have a drink at one of the cafes to take in all of the mix of fun and people or head to Pizzeria Palazzo Petrucci, one of the chicest places to get a pizza in the centro storico. The pizza dough is left to rise for 48 hours and melts in your mouth! If you can manage it, grab a table on the terrace to have an even better view of the goings-ons of the square.

 

Tours

Posted on by topolone

Oh yes, the monuments, street food and street art in Naples are fabulous!
Might we suggest a tour with vesuviusvspompeii.com as the guides are all in love with their city and very specialized!
The tour focuses on daily life, traditions, food and street art in vibrant Napoli.
How fabulous is to go around with somebody who knows all the secret spots of the city and suggests all the specialties to try.
Do you want to visit also some local manufactures and shops where the locals go? Ask…and you’ll have the answer!
Relaxing and food-related tours are some of our fabulous choices to learn and taste bella Napoli:

SHOPPING AND TASTE NAPOLI

Do you want to learn about sparkling Naples while shopping -or just window shopping- and tasting delicious street food, wine and cheese?
Your day will be spent between the charming Chiaia neighborhood, where all the principal Italian designer shops and local clothing manufacturers are to be found, OR visiting small artisanal shops in the fabulous crazy historical centre of Naples. Funny jewellery, cameos and coral, hand-made gloves, leather items, ceramics, Christmas decorations, nativity scenes, chocolate and candies are just some of the items you will see or buy.

caciocavallo cheese

UNDERGROUND FABULOUS NAPOLI

Dante /Toledo/ Università/ Salvator Rosa and the ancient buried Greek-Roman city.
These are some of our favourite underground areas and we want to share them with you.
A tour between contemporary art and ancient history is what everybody needs to understand the layers of Napoli. It is so fabulous to go from minimal art and shining mosaics, to blue tunnels and skylights by some of the most famous international artists to a 2500 years old city hidden by the busy roads of Naples centre. Jannis Kounellis, Michelangelo Pistoletto, Joseph Kosuth, William Kentridge, Robert Wilson, Karim Rashid, Alessandro Mendini, Perino&Vele, Enzo Cucchi and Lello Esposito are only some of the artists who participated in designing and decorating this public transport fabulous museum.

Toledo Station

ARCHAEOLOGICAL MUSEUM AND SANSEVERO CHAPEL

This is the best combination of top class antiquities and marvellous Baroque art.
Neapolitans call it THE MUSEUM, for its central location, sometimes ignoring that this museo is one of the most important archaeological museums in Europe. Why? The frescoes, mosaics, statues and utensils discovered in the Vesuvian area (Pompeii, Herculaneum, Boscoreale and Stabiae) are simply breathtaking!
Among its other collections are the Farnese and the Egyptian rooms. There is also the secret cabinet which shows many erotic objects from ancient times.

Archaeological Museum – Fresco from Herculaneum

And what to say about the Sansevero Chapel? It is one of the most visited monuments in the city and you will understand why only if you go there. In order to understand the intricate symbology and massonic meanings you will need an expert or a thorough guidebook. You will fall in love with the esquisite marble statues…book tickets on line to avoid long queues!

 

Cappella Sansevero – Francesco Queirolo  Disillusion