Sailing virtually in the Bay of Napoli

Let’s dream about going sailing virtually in the Bay of Napoli!
Maybe this immersion in the fabulous Bay of Naples will make us feel a sense of freedom by breathing in our blue sea air and visualizing the history that surrounds us.

We’ll start our trip from Posillipo which in Greek means “respite from suffering”. Posillipo was a seaside resort for the Roman patricians, who loved to come here (especially in the Imperial Age) to enjoy the beauty of the bay and the Greek culture. Pliny the Elder, Suetonius and Martial wrote about this fascinating area and it is said that Virgil wrote his Georgics in a villa in this corner of the Empire.

The glory of Posillipo declined with the fall of the Empire and again in the Middle Ages but the fascinating archaeological remains of its glorious times are still visible. In fact, many walls in opus reticulatum can be seen along the coast and under the water.
A theatre and an odeon–once part of Pollio’s estate–are still standing. The open-air theatre has been restored and in the summer houses a theatre festival. You can read more about Vedius Pollio in our post 5 fabulous things to do in Naples.


Odeon

The romantic ruins of the so-called Palazzo degli Spiriti represented in many engravings and paintings now stand amongst boats of fisherman, families, and “scugnizzi” (boisterous youth from Naples) that populate its surrounding cliffs in the hot summer months. Most of the Roman ruins have been integrated into modern private buildings or fancy condos and also restaurants like the renowned Cicciotto.


Palazzo degli Spiriti

During our virtual sailing trip we approach the Borgo Marechiaro (borgo means small village). It was a fishing community with its church named Santa Maria del Faro, because it was built on the site of the ancient Roman lighthouse (“faro” means lighthouse).


Chiesa di Santa Maria del Faro

The 14th century church was renovated thanks to the Mazza family, nobles who owned properties in Marechiaro. In the 18th century architect Ferdinando Sanfelice remodelled this lovely church that still shows the Mazza coat of arms of 2 crossed sticks.


Façade of the Church Santa Maria del Faro

The Gaiola and Trentaremi incorporate relevant sections of the Pausilypon Villa, the vast estate belonging to Vedio Pollio of whom Palazzo degli Spiriti was probably a nymphaeum. Augustus inherited it after Vedio Pollio’s death in 15 BC. What an imperial property! In an incredible setting beteween Vesuvius and the island of Capri, Pausilypon was a typical example of a otium (leisured culture) villa where one could enjoy nature, peace, reading and meditation.

The Gaiola most likely gets its name from caveola, due to the many caves still visible in the yellow tufa stone which is soft and easy to erode.
The school of Virgil was located here as well as a temple dedicated to Venus, whose name Euplea was attributed to the still existing islet, on top of which stands an abandoned villa.
The villa belonged to some of the wealthiest people in the world, amongst them Agnelli and Paul Getty. Due to a sad destiny, non of these modern-day patricians enjoyed this enchanting property because of tragic events that fell upon their lives.

Today the Gaiola is a protected area, because on the sea bed it is possible to identify fish-ponds, docks and arcaheological remains of the Villa Pausilypon which is now under the sea level due to bradyseism (the gradual lifting or falling of the Earth’s surface due to volcanic activity). Infact, this volocanic phenomenon affects the coastline from Posillipo to Bagnoli and all the way to the pictoresque town of Pozzuoli, the ancient port of Rome.
In the 17th century Posillipo experienced a renaissance, once again becoming the chosen location for the aristocrats who “recycled” entire sections of Roman architecture as building materials or foundations for their fabulous residences.
In the 18th and 19th century this enchanting area started to be very popular also amongst artists. Many artists, also from other European countries loved to spend their time in this corner of paradise; painting outdoors and studying the light and colours of the South. The School of Posillipo, indeed, was started by the Dutch A. S. Pitloo in 1824, anticipatiing the much more well-known French Impressionism.


Anton Sminck Pitloo, The Grove of Francavilla at the Chiatamone

It was in the 19th century that many more private villas and the public street to connect Posillipo to the centre of Naples were built. Luckily a decree by King Gioaquin Murat protected the coast from construction facing the sea.
This is why looking at Naples from the sea is always a fabulous experience. It is a totally different prespective from the lively and bustling historical centre. Posillipo is another thing that sets Naples apart: where else can you rediscover gardens, beautiful ancient villas, citrus and pine trees, and also vineyards to in such a densely populated city?

Gaiola draws many people year round to canoe and kayak-who could resist a jump in the turquoise waters to cool off?

After a nice swim, let’s get back in our ecologically-friendly virtual sailboat to head to Castel dell’Ovo.


Castel dell’Ovo and Borgo Marinari

With its impressive walls in yellow tufa, the castle is said to get its name from its elliptical, oval shape or from the legend telling that Virgil had deposited an egg in its foundation. This icon of Naples stands on the islet of Megaride. Here the Greek settlment of Partenope was established between the 8th and 7th century BC in this already inhabited spot of the Bay. The story of Megaride is very stratified as in the 1st centry BC the Roman patrician Lucius Licinius Lucullus, famous for his palate, built his villa on this site. Some elements of the villa are still visible even if at the end of the 5th century a Basilian monastery was erected where the villa once stood. From the 12th century onwards, this castle which was modernalised by the lineage of kings of Naples, has continued to dominate the islet, today surrounded by bustling restaurants and cafes.

We must end our virtual tour with an aperitivo of traditional taralli and a beer at one of the kiosks lining the seafront as we watch the sun set upon our beloved city. In the past taralli were sold by the “tarallaro”, a man or a woman selling their basket-filled treats to people stolling along the coast, just as we are doing today.
The tarallo was probably invented in the 18th century in the populated area of the Port of Naples. Due to rampant poverty, bakers were mixing the leftover bread and pasta dough with lard (“nzogna” in Neapolitan) and pepper. They would make two little strips and then twist them to then form into a doughnut shape which would be baked along with their bread. At the beginning of the 19th century the “’nzogna e pepe” (lard and pepper) tarallo would be enhanced with almonds. This recipe has remained the same until today. Taralli have to be eaten when warm in order to appreciate their perfect consistency and fragrance. Aren’t you eager to taste them? If so, ask us for the recipe and we’ll send it to you!

The Fabulous Prince of Laughter

In this time of great challenges due to the outbreak of coronavirus disease, we of Naples Fabulous wanted to share a post about an extraordinary person who will hopefully bring some lightness to your days. We’ve been trying to keep our spirits high through reading, music, films and art about Naples and we thought: who better to represent Neapolitan resilience and spirit than this Neapolitan character?

Totò is one of the most beloved figures of the Neapolitan history, art and folklore. But though he has worked with some of the most iconic actors in the history of cinema like Anna Magnani, Vittorio de Sica, Sophia Loren, Mastroianni and movie directors such as Monicelli and Pasolini, many people outside of Italy do not know the work of one of the greatest Neapolitan figures of all time. However, to Italians, he is considered to be one of the most extraordinary comic geniuses of all time.


Totò and Anna Magnani

He went by Totò or simply Antonio de Curtis but actually has an incredibly long name. Starting out as Antonio Clemente, he was born in the heart of Naples – his beloved Sanità – in 1881 to Anna Clemente and the nobleman Giuseppe de Curtis, who never recognized him. He always knew of his noble blood but it wasn’t until he was 35 that he was formally adopted by the Marquis Francesco Maria Gagliardi Focas di Tertiveri. Therefore he inherited a long list of names and a noble title, from which comes the nickname “the prince of laughter”.

Walking the streets of Naples you’ll see icons of his image everywhere, not just in the Sanità. To Neapolitans, Totò represents honour and talent, pride and purpose; he was a champion for the poor and is a symbol of hope. His spirit is woven into the collective conscious of this city and that crooked nose and pointy chin, broken a youth, are as ubiquitous as the landscape of the Vesuvius or the image of the Pizza Margherita or the outline of Capri in the Gulf of Naples. Most bars have a photo or ceramic figure that might be placed alongside an image of the Madonna or Maradona.


Totò by Salvatore Scuotto 2017 – donated by Rober Lèon

To many he is considered to have achieved a uniqueness in comic-tragic style like that of Charlie Chaplin, Buster Keaton or Stan Laurel. Comparisons have even been made with his physicality and the movement technique of Michael Jackson. He grew up poor with an unparalleled work ethic that would accompany him during his entire life. Long after he achieved fame and celebrity, living the bella vita in Rome, he never lost connection with his roots in Naples and was always committed to helping the poor not only in his beloved hometown but everywhere.
His characters in the over 100 films he performed in were often poor, clever people who would, through his iconic, often improvised puns philosophise on the current state of the world and the human condition. This way of living humour through tragedy is emblematic of the Neapolitan spirit and what makes his prolific career symbolic of the triumph of a man who started his life in utter poverty.
His work, rooted in the Commedia dell’Arte tradition, started in Naples at age 15 and would then take him to the stages of Rome where he’d marry his first wife Diana Bandini Rogliani. A few years prior to making his film debut, he’d have a daughter, Liliana whose name would be a source of speculation. Totò had had an affair with the actor Liliana Castagnola whose haunting suicide would remain a mystery for the duration of his life. Though his marriage was dissolved in 1940, Diana and Totò would remain connected until she met another man and Totò married the much younger Franca Faldini.

He’s considered a genius for his comic abilities but his career and art expanded to song writing, music and poetry which had a depth recognised by many and celebrated today. Toto’s most famous song is Malafemmena (Wayward Woman), dedicated to his ex wife Diana.
Often when walking the streets of Naples you’ll hear a trace of one of his songs or, even better, musicians or posteggiatori will serenade diners at the local trattorias which will almost always lead to a sing-a-long of his famous melody.
Here is one of his poems, also engraved in an inscription outside the historic Caffé Gambrinus:

‘A cunzegna

The exchange
In the evening when the sun goes back home
And changes shifts with the moon for the night,
The sun whispers in the moon’s ear
“I’m going home:
Take care of all the lovers!”

Totò is a link between two generations of Italy. People of all ages (and social strata) fluidly repeated his jokes, his gestures and entire phrases from his film by heart because his genius has just as much relevancy in today’s world.
Fifty years later Totò’s films still make people laugh, demonstrating the modernity of his humour and some of his characters. He grew up in the densely populated neighbourhood Sanità which was a source for much of his material. As a child he observed his neighbours and the most extravagant people who he would later incorporate into comical characters in his performances. This earned him the nickname of “ ’o spione ” (the spy).
In Sanità you can see representations of Totò on every wall and there are two large light installations dedicated to him, one of his outline and the other with an inscription in Neapolitan of his delicate love poem “Core analfabeta” (Illiterate heart). They both welcome those entering into Totò’s native neighbourhood.

Baroque churches, noble buildings, a bustling market with perfume of delicious food and the voices of the authentic Naples captivate and lead us to the discovery of the many faces of the prince of laughter.
Federico Fellini said “His capacity of making us laugh should make him a saint” and in actuality, our fabulous Naples has sanctified him!


Palazzo dello Spagnuolo

The tarallificio Poppella (taralli are typical Neapolitan savory snacks) celebrates Totò with a mosaic at the entrance to the shop as does the wine bar Sciò with a mural. All of the shops in the area have a photo of him and his cherished films.


taralli napoletani

The first “Vicolo della cultura” (cultural alley) in Italy, inaugurated in the Sanità in December 2019 honours him with a wall-painting amongst books free for whoever might want them. The non-profit organisation Opportunity seeks to challenge criminality with culture, colours, light and art. The portrait of Totò is found at the entrance of the itinerant library along with other celebrated Neapolitans such as Sophia Loren, Peppino De Filippo, Massimo Troisi and Pino Daniele.


Via Montesilvano

Yet it is at the Pizzeria e Trattoria Taverna di Totò where we would like to conclude our little homage to this artistic genius.
With happiness and a scrumptious pizza, a delicious potato crocchè and maybe a tasting of a fabulous side dishes of eggplant and friarielli, we will raise a glass to Totò’s wonderful legacy in the company of the kind server, always ready to entertain customers with a genuine smile, in the spirit of the immortal prince of laughter.


pizza Cosacca

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